SUNDAY, FEBRUARY 18 - MUSICALS 2 Films 8:00 p.m. (ET)/5:00 p.m. (PT) CABIN IN THE SKY (1943) An all-star screen adaptation of the successful Broadway play, Cabin in the Sky (1943) tells the story of the gambler Little Joe who is seriously wounded in a barroom fight. His pious wife, Petunia, prays for him to have a second chance so he can get into heaven. Joe survives, but GodÕs General and Lucifer, Jr. begin the battle for his soul. Conflicts arose on the set between director Vincente Minnelli, Lena Horne, and Ethel Waters because Minnelli and Horne were reportedly dating. The problems reached their peak over the number "Honey in the Honeycomb." Waters was originally to perform the song as a ballad while Horne would do a dance to it. But Horne broke her ankle and the songs were reversed. She got the ballad and Waters the dance. Ethel Waters did however sing the Academy Award nominated "Happiness is Just a Thing Called Joe." This was one of three new songs written for the film. In her autobiography, His Eye is on the Sparrow, Waters commented on her performance in Cabin in the Sky: "I rejected the part because it seemed to me a man's play rather than a woman's. Petunia, in the original script, was no more than a punching bag for Little Joe. I objected also to the manner in which religion was being handled. After some of the changes I demanded had been made I accepted the role, largely because the music was so pretty. But right through the rehearsals and even after the play had opened, I kept adding my own lines and little bits of business to build up the character of Petunia." Lena Horne took on one of her few acting roles as the temptress Georgia Brown in Cabin in the Sky and it proved to be the ideal showcase for her musical talents and natural beauty. Minnelli originally intended to introduce Horne's sexy character in a bubble bath scene but the censors refused to let him film it. In most of her other films Horne played herself, and she rarely had interaction with the main stars. Instead, she would come onscreen, perform a number, and exit. This was done so her scenes could be easily trimmed if they offended southern audiences. It was said that Minnelli had originally wanted Dooley Wilson (the pianist/singer from Casablanca (1942) who performed "As Time Goes By") for the role of Little Joe since he created the role on the stage but the studio insisted on Eddie "Rochester" Anderson because he was the bigger name. In his biography, I Remember It Well, Minnelli recalled the making of Cabin in the Sky: "If there were any reservations about the film, they revolved around the story, which reinforced the naive, childlike stereotype of blacks. But I knew there were such people as the deeply pious Petunia and Joe, her weak gambler of a husband, and that such wives constantly prayed for the wavering souls of their men...If I was going to make a picture about such people, I would approach it with great affection rather than condescension." As for the unique look of the film, Minnelli added, "Arthur (Freed) and I were looking at a finished print of the picture one day. I don't know which one of us suggested the possibility of reprocessing the black and white film in a sepia tint. We experimented with a portion of it. The film was transformed. It seemed more magical. Sepia created a soft, velvety patina more flattering to the actors' skin tones. The picture was released that way." Cabin in the Sky was the first all-black musical in nearly fourteen years and only the fourth all-black film by a major studio since the coming of sound. It was also director Vincente MinnelliÕs first feature film. Director: Vincente Minnelli Producer: Arthur Freed Screenplay: Joseph Schrank (based on the play by Lynn Root, John Latouche, Vernon Duke) Cinematography: Sidney Waggner Editing: Harold F. Kress Music Director: George Stoll Cast: Ethel Waters (Petunia Jackson), Eddie "Rochester" Anderson (Little Joe), Lena Horne (Georgia Brown), Louis Armstrong (The Trumpeter), Rex Ingram (Lucius, Lucifer, Jr.), Butterfly McQueen (Lily), Ruby Dandridge (Mrs. Kelso), Duke Ellington and His Orchestra C-99m.Closed captioning. By Deborah Looney 10:00 p.m. (ET)/7:00 p.m. (PT) SHOW BOAT (1936) Show Boat, the story of life on a Mississippi riverboat, began as a novel by Edna Ferber in 1926.Ê It was made into a Broadway musical by Jerome Kern and Oscar Hammerstein II the following year, and a part-talkie film with a prologue of music from the show, in 1929.Ê There were two versions of the musical, in 1936 and in 1951.Ê But many think the 1936 Show Boat is the definitive film version. By today's standards, Show Boat's handling of racial issues like miscegenation and the stereotypical "shiftless darkies" seem embarrassingly outdated; at the time, though, the warm friendship between Magnolia and Julie, the "tragic mulatto," was considered enlightened.Ê And even today, Paul Robeson's dignified portrayal of Joe, and his powerful voice, still make a strong impression. The son of a former slave, Robeson was a towering figure, both physically and intellectually. He won a scholarship to Rutgers University, where he was both an All-American football star, and a Phi Beta Kappa honors graduate.Ê As a performer, he could handle Shakespeare and Eugene O'Neill as well as musicals.Ê The producers of the original stage version of Show Boat wanted Robeson for the role of Joe, but he was unavailable, although he eventually played the part in London, and in the 1932 Broadway revival.Ê Critics singled out his "Old Man River" as the highlight of the film. Hattie McDaniel, who would later become the first African-American to win an Oscar (as best supporting actress for Gone With the Wind, 1939), also played a stereotype in Show Boat, as she did in many films.Ê But as always, she played the comically domineering mammy-figure with spirit and style.Ê Both she and Robeson, who played husband and wife, brought star quality to their subordinate roles. Show Boat had the advantage of having several members of the original Broadway production in its cast.Ê Helen Morgan as Julie, her voice tremulous with emotion, was deeply affecting in songs such as "Bill," and "Can't Help Loving Dat Man."Ê Charles Winninger reprised his role of Captain Andy.Ê And Irene Dunne, Allan Jones, and Hattie McDaniel had also played in various productions of the show.Ê James Whale (Frankenstein, 1931) might have seemed an odd choice to direct, but critics praised his pacing, and his meticulous attention to detail.Ê The result, as more than one critic pointed out, "is nothing less than splendid." Director: James Whale Producer: Carl Laemmle Jr. Screenplay: Edna Ferber (novel), Oscar Hammerstein II Cinematography: John J. Mescall Music: Robert Russell Bennett, Jerome Kern Art Direction: Charles D. Hall Principle Cast: Irene Dunne (Magnolia Hawks), Allan Jones (Gaylord Ravenal), Charles Winninger (CapÕn Andy Hawks), Paul Robeson (Joe), Helen Morgan (Julia La Verne), Helen Westly (Parthy Hawks) BW-115m. Closed Captioning. By Margarita Landazuri