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Overview for Charles Lang Jr.
Charles Lang Jr.

Charles Lang Jr.



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Also Known As: Died: April 3, 1998
Born: March 27, 1902 Cause of Death: pneumonia
Birth Place: Bluff, Utah, USA Profession: Cinematography ...


Cast (feature film)

Visions of Light: The Art of Cinematography (1992)
Reknowned cinematographers discuss their influences, techniques and decisions on how to shoot films.
Killer Shark (1950) as McCann
A fisherman's son tries to prove himself by hunting sharks.
The Great Jewel Robber (1950) as Carlton
A master thief escapes from a Canadian prison farm and makes his way to New York.
Easy Living (1949) as Whitey
An aging football star risks his health when his greedy wife won't let him retire.
The Wolf Hunters (1949) as J. L. McTavish
After four fur trappers have been slain and their furs stolen, Corporal Rod Webb (Kirby Grant) of the Royal Northwest Mounted Police sets out for their village. En route he and his dog Chinook come upon another trapper, Henri (Edward Norris), shot and lying unconscious on the trail, and the furs he was delivering to the factor, McTavish (Charles Lang), stolen. Chinook trails the would-be-killer Muskoka (Ted Hecht) and bites a piece of cloth from his coat before he escapes. Webb leaves Henri with Greta (Jan Clayton) while he investigates, aided by Minnetaki (Elizabeth Root), Indian servant fired by McTavish, the real head of the fur thieves, and Marcia Cameron (Helen Parrish), wife of the superintendent (Luther Crockett) of the trading company that employs McTavish.
He Walked by Night (1948) as Policeman
After killing a cop, a burglar fights to evade the police.
Night Wind (1948) as John Steele
Wing and a Prayer (1944) as Ensign Chuck White
An aircraft carrier is sent on a decoy mission around the Pacific, with orders to avoid combat, thus lulling Japanese alertness before the battle of Midway. All the men have their individual worries and concerns, but become increasingly frustrated at their avoidance of combat, for reasons unknown to them. But in the end, all get their chance to fight.
Tampico (1944) as Gun crew naval officer
Oil-tanker Captain Manson rescues Kathie Hall after her ship is sunk by a U-boat. He marries her. When his ship is sunk and she is suspected because she has no identification. Manson tries to clear her of the charge and discovers that his first mate, Adamson, is a German agent.
Roger Touhy, Gangster (1944) as F.B.I. agent
Crime by Night (1944) as Paul Goff
Married detectives investigating a small-town murder uncover a spy ring.
The Last Ride (1944) as Mike Harrigan
A detective suspects foul play in a series of accidental deaths.
Air Force (1943) as Soldier
A bomber crew sees World War II action over the Pacific.
Guadalcanal Diary (1943) as Marine
Concentrating on the personal lives of those involved, a war correspondent takes us through the preparations, landing and initial campaign on Guadalcanal during WWII.
Truck Busters (1943) as Jimmy Dorgan
An independent driver organizes other truckers to fight a corrupt executive.
Strictly in the Groove (1942) as Russ Monroe
Gentleman Jim (1942) as
Fanciful biography of 19th-century boxing champion Jim Corbett.
Secret Enemies (1942) as Jim Jackson
The FBI tracks Nazi agents to a luxury hotel.
Bombay Clipper (1942) as Tex
Six Lessons from Madame La Zonga (1941) as Steve [Morrison]
Steve (Charles Lang), Skat(Eddie Quillan) and other members of a high-ridin', rug-cuttin' musical combo from Oklahoma set off to conquer Broadway, only to find that rhumba-rhythm is all the rage. They decide to sail for Havana to learn the rhythm and pick up the accent, and, on board the ship, Steve meets Rosita Alvarez (Helen Parrish) who is Cuba-bound with her father, Pop Alvarez (Leon Errol), a merry confidence man. All have problems they expect to be solved by Madame La Zonda (Lupe Velez), but they arrive and find that the exotic queen of the rhumba's night club has gone broke. Another confidence man, Beheegan (William Frawley), who has sold a few city halls in his day, provides the answer to everything; using a satchel filled with ill-gotten gains and under the watchful eyes of Alvin (Big Boy Williams), Gabby (Shemp Howard) and Maxwell (Frank Mitchell), he purchases several mythical plantations in South America from Pop.
Hit the Road (1941) as Paul [Revere] Smith
Where Did You Get That Girl? (1941) as Jeff [Brant]
Never Give a Sucker an Even Break (1941) as The young engineer
A filmmaker tries to sell a script about con artists taking on the Russian millionaires of Mexico.
Keep 'Em Flying (1941) as Jim Joyce
San Antonio Rose (1941) as Ralph
One Crowded Night (1940) as [Frank] Matson
Travelers at a California motel face a variety of personal crises.
Wildcat Bus (1940) as Jerry Waters
A broke playboy signs on to help a young beauty save her ailing bus line.

Cinematography (feature film)

40 Carats (1973)
An older woman unknowingly enters into a complicated love triangle with a younger man.
Butterflies Are Free (1972) as Director of Photography
A blind man trying to escape his protective mother falls for an aspiring actress.
Doctors' Wives (1971) as Director of Photography
Dyan Cannon, Richard Crenna, Gene Hackman, Carroll O''Connor, Rachel Roberts, Janice Rule, Diana Sands, Cara Williams, Richard Anderson, Ralph Bellamy, John Colicos, Scott Brady. Frank G. Slaughter''s best selling novel of infidelity in the hospital ward becomes an enjoyably lurid soap opera sparked by the performances of Cara Williams as an alcoholic, Janice Rule as a drug-addicted housewife, and Dyan Cannon as a sexually voracious maneater
The Love Machine (1971) as Director of Photography
John Phillip Law, Dyan Cannon, Robert Ryan, Jackie Cooper, David Hemmings, Maureen Arthur, Shecky Greene, Jodi Wexler. Based on the best-selling pulp novel by Jacqueline Susann, this behind-the-scenes expose of a national television network follows the career of a ruthless executive who sleeps his way to the top. The music score includes two songs by Dionne Warwick - "He''s Moving On" & "Amanda''s Theme".
A Walk in the Spring Rain (1970) as Director of Photography
When her husband moves them to a small farming town, a woman falls in love with a married neighbor.
Bob & Carol & Ted & Alice (1969) as Director of Photography
A modern married couple attempts to lure their best friends into an exploration of the liberated lifestyles of the late 60s.
Cactus Flower (1969) as Director of Photography
A philandering dentist asks his assistant to help him deal with his latest girlfriend.
How To Commit Marriage (1969) as Director of Photography
Frank and Elaine Benson decide to divorce after twenty years, just as their daughter Nancy decides to get married to her boyfriend David. David's father Oliver disapproves and attempts to sabotage the relationship. When Nancy gets pregnant by accident, her parents agree to look after the baby, but F
A Flea in Her Ear (1968) as Director of Photography
Suspicious that her lawyer husband might be having an affair, a wife decides to spy around a hotel used for those flings, only to find out that her husband has been faithful.
The Stalking Moon (1968) as Director of Photography
A retired Army scout protects a woman from her son''''s vicious Native father.
The Flim-Flam Man (1967) as Director of Photography
A seasoned conman teaches a young Army deserter the tricks of the trade.
Wait Until Dark (1967) as Director of Photography
A blind woman fights against drug smugglers who''''ve invaded her home.
Hotel (1967) as Director of Photography
A New Orleans hotel owner fights off a corporate raider while his guests struggle through a variety of personal problems.
Not With My Wife, You Don't! (1966) as Director of Photography
Two fliers during the Korean War compete for a beautiful Italian nurse.
How to Steal a Million (1966) as Director of Photography
A legendary art collector lends his prized (replica) Cellini Venus to a prestigious Paris museum. Before tests can be done which would prove the Venus is a fake, though, the collector's daughter enlists the services of a "society burglar" to steal the million dollar statue.
Inside Daisy Clover (1965) as Director of Photography
A girl on the road to stardom fights the dehumanizing effects of Hollywood life.
Sex and the Single Girl (1964) as Director of Photography
A journalist sets out to expose a female sex expert but falls for her instead.
Paris When It Sizzles (1964) as Director of Photography
A Hollywood producer hires a beautiful secretary to keep his drunken screenwriter on track.
Father Goose (1964) as Director of Photography
A WWII drifter finds himself protecting schoolgirls and their beautiful teacher.
Critic's Choice (1963) as Director of Photography
A Broadway critic must write a negative review about his wife's play.
How the West Was Won (1963) as Director of Photography
Three generations of pioneers take part in the forging of the American West.
Charade (1963) as Director of Photography
A beautiful widow tries to find her husband's lost fortune while eluding the killers who want it themselves.
The Wheeler Dealers (1963) as Director of Photography
Texas tycoons try to mix love with finance on a trip to New York.
A Girl Named Tamiko (1962) as Cinematographer
An American, living in Japan, tries to get a visa back to the States, but when he meets and falls in love with a traditional Japanese girl, he's torn between staying or going.
Summer and Smoke (1961) as Cinematographer
A small-town spinster''''s repressed love for the local rebel spells danger.
One-Eyed Jacks (1961) as Director of Photography
An outlaw seeks revenge on the old friend who betrayed him.
Blue Hawaii (1961) as Director of Photography
A Hawaiian playboy defies his possessive mother to take a job with a tourist agency.
Strangers When We Meet (1960) as Director of Photography
An extramarital affair threatens the fortunes of two families.
The Facts of Life (1960) as Director of Photography
Suburban marrieds are tempted to dabble in adultery.
The Magnificent Seven (1960) as Director of Photography
Seven American gunmen hire themselves out to protect a Mexican village from bandits.
Song Without End (1960) as Director of Photography
Musical genius Franz Liszt betrays his lover to court a married princess.
Last Train from Gun Hill (1959) as Director of Photography
A Western Marshall discovers the man who raped and murdered his wife is his best friend''''s son.
Some Like It Hot (1959) as Director of Photography
Two musicians on the run from gangsters masquerade as members of an all-girl band.
The Matchmaker (1958) as Director of Photography
A matchmaker falls for the man she is supposed to help find a wife.
Wild Is the Wind (1958) as Director of Photography
A woman marries her late sister''''s husband but finds true love with his son from an earlier marriage.
Separate Tables (1958) as Photography
The boarders at an English resort struggle with emotional problems.
Loving You (1957) as Director of Photography
Elvis Presley plays Deke Rivers, a gas station attendent who is discoverd by publicist Glenda Markle (Lizabeth Scott) and country-western musician Tex Warner (Wendell Corey) who want to promote the talented newcomer to fame and fortune, first by changing Deke's name to Jimmy Tompkins, and giving him every break he deserves.
Gunfight at the O.K. Corral (1957) as Director of Photography
Dramatization of the legendary battle between Wyatt Earp and the Clanton Gang.
The Solid Gold Cadillac (1956) as Director of Photography
A small time investor takes on the management of a major corporation.
The Rainmaker (1956) as Director of Photography
A fake rainmaker melts the heart of a Kansas spinster while trying to save the town''s crops.
Autumn Leaves (1956) as Director of Photography
A woman falls for a younger man with severe mental problems.
Female on the Beach (1955) as Director of Photography
Lynn Markham moves into her late husband's beach house...the morning after former tenant Eloise Crandall fell (or was pushed) from the cliff. To her annoyance, Lynn finds both her real estate agent and Drummond Hall, her muscular beachcomber neighbor, making themselves quite at home. Lynn soon has no doubts of what her scheming neighbors are up to, but she finds Drummond's physical charms hard to resist. And she still doesn't know what really happened to Eloise.
Queen Bee (1955) as Director of Photography
A manipulative Southern socialite sets out to destroy the lives of all those around her.
The Man from Laramie (1955) as Director of Photography
A wandering cowboy gets caught in the rivalry between an aging rancher's sons.
It Should Happen to You (1954) as Director of Photography
A dizzy model in love with fame rents a billboard and puts her name on it.
Sabrina (1954) as Director of Photography
Two wealthy brothers fall for the chauffeur's daughter.
Phffft (1954) as Director of Photography
A couple divorce but can''''t stop getting mixed up in each other''''s lives.
Salome (1953) as Director of Photography
Herod's stepdaughter discovers Christianity through her love for a Roman centurion.
The Big Heat (1953) as Director of Photography
A police detective whose wife was killed by the mob teams with a scarred gangster's moll to bring down a powerful gangster.
Aaron Slick from Punkin Crick (1952) as Director of Photography
Country bumpkin Aaron Slick (Alan Young) has been unsuccessfully courting pretty young widow Josie Beery (Dinah Shore) for years. Josie yearns for a fling in the big city. With $20,000 from a crooked deal stashed in their trunk, Bill Merridew (Robert Merrill) and his "kissing cousin" Gladys (Adele Jergens), stars, in a relative sense, of a touring tent show stop at Josie's farm. Merridew, actually hiding out, thinks there is oil on the farm and Aaron, knowing otherwise, tricks him into buying the farm for a large sum. Josie takes the money and runs to Chicago, with Merridew, realizing he was tricked, in hot pursuit. Aaron arrives in time to keep Josie from letting Merridew "invest" her money.
Red Mountain (1952) as Director of Photography
Alan Ladd, Lizabeth Scott, Arthur Kennedy, John Ireland, Jeff Corey, James Bell, Bert Freed, Neville Brand, Whit Bissell, Jay Silver Heels, Iron Eyes Cody. Rebel captain Alan Ladd rides west to Colorado to join Quantrell''s Raiders but changes sides when he discovers the ugly truth about the infamous marauder.
Sudden Fear (1952) as Director of Photography
An ambitious actor insinuates himself into the life of a wealthy middle-aged woman, then plots with his mistress to murder her.
The Atomic City (1952) as Director of Photography
Enemy agents kidnap an atomic scientist''''s son.
Peking Express (1951) as Director of Photography
The Mating Season (1951) as Director of Photography
A woman pretends to be a cleaning lady to get to know her son's high-society in-laws.
Ace in the Hole (1951) as Director of Photography
A small-town reporter milks a local disaster to get back into the big time.
Branded (1951) as Director of Photography
A gunman tries to pass himself off as a wealthy ranchers long lost son.
September Affair (1951) as Director of Photography
An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. This gives them the opportunity to live together free from their previous lives. Unfortunately, this artificial arrangement leads to greater and greater stress. Eventually the situation collapses when they come to pursue their original, individual interests without choosing a common path.
Fancy Pants (1950) as Director of Photography
A wild West family wins a British valet in a poker game and passes him off as a nobleman.
Copper Canyon (1950) as Director of Photography
During post civil war, southern veterans move wet to find money to rebuild their homes and are continuously harassed.
The Great Lover (1949) as Director of Photography
The French Surete and private eye Higgins are after a killer who uses innocent young Americans in a crooked gambling racket, and who sets sail on an ocean liner that also carries inept scoutmaster Freddie Hunter and his troop of boys. Freddie, who's been a "boy scout" too long, has designs on gorgeous Duchess Alexandria. The boys, far better organized than Freddie, are determined to save him from himself. But who will save Freddie from being the killer's next victim?
Rope of Sand (1949) as Director of Photography
Two years ago, hunting guide Mike Davis was with a client who trespassed on diamond company land and found a rich lode; Paul Vogel, sadistic commandant of company police, beat Mike nearly to death but failed to learn the location. Now Mike is back in Diamantstad, South African desert, and manager Martingale has a better idea: he hires delectable adventuress Suzanne to ferret out Mike's secret. But she soon finds she's playing with fire.
My Own True Love (1949) as Director of Photography
Miss Tatlock's Millions (1948) as Director of Photography
After the accidental death of an idiot heir, a stunt man is hired to impersonate him while the family gathers to determine the dispersment of the estate of Miss Tatlock's millions.
A Foreign Affair (1948) as Director of Photography
A prim Congresswoman gets caught up in the romantic decadence of post-war Germany.
Where There's Life (1947) as Director of Photography
The American heir to a European throne tries to elude assassins.
The Ghost and Mrs. Muir (1947) as Director of Photography
A spirited widow rents a haunted cottage and builds an emotional bond with the resident ghost.
Cross My Heart (1947) as Director of Photography
Desert Fury (1947) as Director of Photography
Fritzi Haller is a powerful casino owner in Chuckawalla, Nevada. Her daughter Paula (having quit school) returns at the same time as racketeer Eddie Bendix, who left under suspicion of murdering his wife. Paula and Eddie become involved; each for their own reasons, Fritzi, Paula's old beau Tom, and Eddie's pal Johnny try to break up the relationship. Then Eddie's past catches up with him in an unexpected way.
Miss Susie Slagle's (1946) as Director of Photography
Blue Skies (1946) as Director of Photography
Vaudeville partners spend years vying for the same beautiful woman.
The Stork Club (1945) as Director of Photography
A hat-check girl gets rich quick when she saves a millionaire''''s life.
Practically Yours (1944) as Director of Photography
Standing Room Only (1944) as Director of Photography
During World War II, Lee Stevens travels to Washington D.C. with his secretary Jane Rogers in order to secure a government contract. Not thinking it through, Jane cancels their hotel reservations when she feels the accomodations are inadequate. With no rooms available in the entire city Lee and Jane pose as a married couple and take positions as maid and butler in the Cromwell's home until the contract can be secured.
The Uninvited (1944) as Director of Photography
A brother and sister buy a house with a ghostly secret.
Here Come the Waves (1944) as Director of Photography
Twin sisters Rosemary and Susie Allison are successful nightclub performers. Their act is about to come to a close when serious-minded Rosemary announces she's joining the Waves. Fun-loving Susie decides to enlist also, especially after she learns that crooner Johnny Cabot has just been drafted by the Navy.
I Love a Soldier (1944) as Photography
During World War II in San Francisco, Eve Morgan and her single girlfriends spend their days welding ships and their nights dancing with soldiers and sailors shipping out that night. Eve is determined to avoid any romantic entanglements until the war is over she refuses to spend her days and nights worrying about getting bad news about a man she has fallen for. But she doesn't count on meeting a soldier who is determined to change her mind.
True to Life (1943) as Director of Photography
A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life antics. The show becomes a big hit, but he begins to feel guilty about his charade when he falls in love with the family's pretty older daughter.
So Proudly We Hail! (1943) as Director of Photography
Nurses caught behind enemy lines during World War II fight to survive.
No Time for Love (1943) as Director of Photography
A sophisticated reporter hires the construction worker she accidentally got fired.
Are Husbands Necessary? (1942) as Director of Photography
The Lady Has Plans (1942) as Director of Photography
Some dastardly criminals have stolen some top secret plans and tattoo them on the back of a woman so she can sell them to the highest bidder in Lisbon. This woman plans to take the place of a 'Sidney Royce', a legitimate traveler going to Lisbon as a reporter. Crossed signals allows the real Sidney to reach Portugal first, where she is pursued by those trying to obtain the plans and US government agents trying to prevent the sale.
The Forest Rangers (1942) as Director of Photography
Ranger Don Stuart fights a forest fire with timber boss friend Tana 'Butch' Mason, and finds evidence of arson. He suspects Twig Dawson but can't prove it. Butch loves Don but he, poor fool, won't notice her as a woman; instead he meets socialite Celia in town and elopes with her. The action plot (Don's pursuit of the fire starter) parallels Tana's comic efforts to scare tenderfoot Celia back to the city.
Sundown (1941) as Director of Photography
An exotic woman helps the Allies fight the Germans in North Africa.
Nothing But the Truth (1941) as Director of Photography
A businessman bets he can tell the truth for 24 hours.
Skylark (1941) as Director of Photography
A neglected housewife falls in love with a handsome attorney.
The Shepherd of the Hills (1941) as Director of Photography
A young man seeks to murder his father that abandoned his mother, yet fate plays a hand when a stranger appears.
Dancing on a Dime (1940) as Director of Photography
Buck Benny Rides Again (1940) as Director of Photography
Radio star Jack Benny, intending to stay in New York for the summer, is forced by the needling of rival Fred Allen to prove his boasts about roughing it on his (fictitious) Nevada ranch. Meanwhile, singer Joan Cameron, whom Jack's fallen for and offended, is maneuvered by her sisters to the same Nevada town. Jack's losing battle to prove his manhood to Joan means broad slapstick burlesque of Western cliches.
Arise, My Love (1940) as Photography
A dashing pilot and a vivacious reporter find adventure in Europe on the eve of World War II.
The Ghost Breakers (1940) as Director of Photography
A radio broadcaster running from the mob helps an heiress deal with her family''''s haunted mansion.
Adventure in Diamonds (1940) as Director of Photography
Women Without Names (1940) as Director of Photography
Construction engineer Fred MacNeil (Robert Paige) meets waitress Joyce King (Ellen Drew) at a hamburger stand and she accepts his invitation to see her home. Joyce is unaware she is being trailed by two detectives on the trail of her former husband, Walter Ferris (John McGuire). Joyce tells Fred that her ex-husband is a wanted criminal, but Fred waves aside her objections and they make plans to marry and honeymoon in Tennessee. Following the wedding, they return to the house after Ferris, accompanied by Peggy Athens (Judith Barrett), has broken in. Caught by Detective Reardon (Thomas E. Jackson), Ferris kills the officer and escapes. McNeil and Joyce arrive immediately afterwards and are accused of the killing by the neighbors. John Marlin (John Miljan), assistant District Attorney, railroads the lovers because he wants to use their prosecution to boost his drive for the District Attorney post.Fred is sentenced to hang and Joyce is given life in prison.
Island of Lost Men (1939) as Photography
The Cat and the Canary (1939) as Photography
An attorney tries to protect the sole heir to a millionaire¿s creepy estate.
The Gracie Allen Murder Case (1939) as Photography
The zany plot follows nitwit Gracie Allen trying to help master sleuth Philo Vance solve a murder. Allen's uncle fixes her up with Bill at a company picnic. When the two go out to a nightclub that night, Gracie inadvertently links Bill to the murder of a thug after finding the dead body and Bill's cigarette case at the scene of the crime. While being questioned at the club, she meets Vance who's investigating the homicide. After Gracie's bungled attempts to solve the case, Vance decides it might be easier to have her working with him. Despite Gracie's "help," the two eventually find the real killer.
Zaza (1939) as Photography
Zaza is a spicy Parisian cabaret performer who falls in love with wealthy rogue Dufresne. Quitting show biz to be with Dufresne for all time, Zaza is taken aback to discover that he's already married...
Midnight (1939) as Photography
An unemployed showgirl poses as Hungarian royalty to infiltrate Parisian society.
You and Me (1938) as Photography
Spawn of the North (1938) as Photography
Two Alaskan salmon fishermen, Tyler Dawson (skipper of the "Who Cares") and Jim Kimmerlee of the "Old Reliable," are lifelong pals. Their romantic rivalry over young Dian ends amicably. But a more serious rift, with violent consequences, arises when Tyler befriends Russian fish pirates while Jim finds himself aligned with local vigilantes. Notable glacier scenery.
Doctor Rhythm (1938) as Photography
Tovarich (1937) as Photography
Russian nobles flee the revolution and take jobs in Paris as servants.
Souls at Sea (1937) as Photography
An abolitionist signs on with a slaving ship to sabotage their efforts.
Angel (1937) as Photography
While vacationing without her husband, a married woman falls for another man.
Desire (1936) as Photography
Before they can marry, two society types run off with lower-class loves.
Mississippi (1935) as Photography
A young pacifist after refusing on principle to defend her sweetheart's honor and being banished in disgrace, joins a riverboat troupe as a singer, acquires a reputation as a crackshot after a saloon brawl in which the villain of the piece accidentally kills himself with his own gun, falls in love with his former fianceé's sister and finally bullies an apprehensive family into accepting him.
Peter Ibbetson (1935) as Photography
Architect Peter Ibbetson is hired by the Duke of Towers to design a building for him. Ibbetson discovers that the Duchess of Towers, Mary, is his now-grown childhood sweetheart. Their love revives, but Peter is sentenced to life in prison for an accidental killing. Mary comes to him in dreams and they are able to live out their romance in a dream world.
The Lives of a Bengal Lancer (1935) as Photography
Three British soldiers in India fight invaders when not fighting each other.
Death Takes a Holiday (1934) as Photography
Death goes on vacation to learn about mortal life -- and love.
Mrs. Wiggs of the Cabbage Patch (1934) as Photography
The Wiggs family plan to celebrate Thanksgiving in their rundown shack with leftover stew, without Mr. Wiggs who wandered off long ago an has never been heard from. Do-gooder Miss Lucy brings them a real feast. Her boyfriend Bob arranges to take Wiggs' sick boy to a hospital. Their other boy makes some money peddling kindling and takes the family to a show. Mrs. Wiggs is called to the hopsital just in time to see her boy die. Her neighbor Miss Mazy wants to marry Mr. Stubbins who insists on tasting her cooking. Mrs. Wiggs sneaks her dishes past Stubbins who agrees to marriage. Mr. Wiggs appears suddenly, in tatters, with just the amount of money (twenty dollars) needed to save the family from foreclosure. Miss Lucy and Bob get married.
She Loves Me Not (1934) as Photography
Curly Flagg, Philadelphia nightclub dancer, witnesses a murder and runs away to avoid being held as material witness. Landing in Princeton, she hides out in a college dorm, decked out in men's clothes and haircut by students Paul and Buzz. Soon, converging on Princeton are: 1) publicity men for Buzz's dad's movie studio; 2) Paul's irate fiancée Frances; 3) killer Mugg, who wants to rub out Curly. By the time they arrive yet another girl is after Paul: Midge, the dean's daughter.
We're Not Dressing (1934) as Photography
A marooned socialite finds herself taking orders from the sailor she had snubbed before their shipwreck.
Cradle Song (1933) as Photography
She Done Him Wrong (1933) as Photography
A saloon singer fights off smugglers, an escaped con and a Salvation Army officer out to reform her.
The Way to Love (1933) as Photography
L'amour guide (1933) as Photography
A Bedtime Story (1933) as Photography
Gambling Ship (1933) as Photography
Tired of the dangerous life as gambling boss, Ace Corbin 'retires' from the racket and travels cross-country by train to begin a new life with a new name. On the train, he meets Eleanor and they fall in love. Eleanor is afraid to tell Ace she's a soiled dove and Ace doesn't tell Eleanor of his shady past. Old enemies won't let Ace begin his new life, and old commitments's won't free Eleanor of her sordid ties. Ace's old life and Eleanor's deception collide with the typical results. But love conquers all!
Thunder Below (1932) as Photography
Devil and the Deep (1932) as Photography
Naval commander Charles Storm has made life miserable for his wife Pauline due to his insane jealousy over every man she speaks to. His obsessive behavior soon drives her to the arms of a handsome lieutenant. When Charles learns of their affair, he plots revenge.
Tomorrow and Tomorrow (1932) as Photography
No One Man (1932) as Photography
He Learned About Women (1932) as Photography
A Farewell to Arms (1932) as Photography
An American serving in World War I falls for a spirited nurse.
The Magnificent Lie (1931) as Photography
Forbidden Adventure (1931) as Photography
Once a Lady (1931) as Photography
Unfaithful (1931) as Photography
The Vice Squad (1931) as Photography
Caught (1931) as Photography
Seven Days Leave (1930) as Director of Photography
The Light of Western Stars (1930) as Director of Photography
A friend of Dick Bailey (Richard Arlen) is killed by a mysterious assailant, whom Dick suspects to be Stack (Fred Kohler), who is in league with the crooked sheriff (Guy Oliver.) Out on a spree Dick swears he will marry the first woman he sees, who happens to be Ruth Hammond (Mary Brian), sister of his dead friend, arriving to take charge of the Hammond ranch. Revolted by his rough proposal,she fires him as the Hammond foreman and she proceeds to the ranch. Stack informs her he has purchased the ranch for the payment of the back-due taxes, and she relents and rehires Dick and his friends to aid her in her fight against Stack.
Shadow of the Law (1930) as Director of Photography
Sarah and Son (1930) as Camera
A ne'er-do-well husband, after years of abusing his wife, disappears with their son, and winds up selling him to a wealthy family. Years later, the wife--now a world-famous opera singer--finally has enough time and money to begin a search for him.
The Right To Love (1930) as Director of Photography
Street of Chance (1930) as Director of Photography
Anybody's Woman (1930) as Director of Photography
For the Defense (1930) as Director of Photography
An attorney, who specializes in springing criminals out of prison, is faced with a moral dilemma when his girlfriend drunkenly kills a pedestrian with her car and another man takes the blame.
Tom Sawyer (1930) as Director of Photography
The classic Mark Twain tale of a young boy and his friends on the Mississippi River. Tom and his pals Huckleberry Finn and Joe Harper have numerous adventures, including running away to be pirates and, being believed drowned, attending their own funeral. The boys also witness a murder and Tom and his friend Becky Thatcher are pursued by the vengeful murderer.
Behind the Make-Up (1930) as Director of Photography
Innocents of Paris (1929) as Director of Photography
Half-way to Heaven (1929) as Director of Photography
The Shopworn Angel (1929) as Camera
Ritzy (1927) as Director of Photography
The Night Patrol (1926) as Director of Photography

Writer (feature film)

The Louisiana Hussy (1960) as Screenwriter
A woman who appears to be ill shows up in a small town and is taken in by the residents. She winds up pitting a pair of brothers against each other, having an affair with one on the day of his marriage and trying to seduce the other one as well.
Tess of the Storm Country (1960) as Screenwriter
Fourth reworking of the classic Grace Miller White novel, this time updated to the 60s, with young Scottish lassie Tess (Diane Baker) becoming embroiled in a conflict about a toxic chemical plant near her new home in Pennsylvania.
Desire in the Dust (1960) as Screenwriter
Buchanan Rides Alone (1958) as Screenwriter
Clever gunfighter tangles with a gleefully corrupt family over control of a border town.
Decision at Sundown (1957) as Screenwriter
A gunman seeks revenge on the man he believes stole his wife.
The Magnificent Matador (1955) as Screenwriter
Maureen O'Hara as the spoiled, rich, American preditor who falls head-over-heels for the brooding, tormented, about-to-retire matador, Luis Santos (Anthony Quinn) who has inexplicably run away prior to a corrida that was to occasion the "alternativa" of a young, up-and-coming bullfighter (Manuel Rojas). The mystery is solved 94 minutes later, after Maureen has conquered Tony and Tony has saved Marueen's life by caping a toro bravo with his plaid horse blanket.
Captain Scarface (1953) as Orig story and scr
A group of foreign agents plots to blow up the Panama Canal.
Call of the Klondike (1950) as Screenwriter
Killer Shark (1950) as Screenwriter
A fisherman's son tries to prove himself by hunting sharks.

Sound (feature film)

Zarak (1956) as Sound
A notorious bandit develops a grudging respect for the English military man assigned to capture him.
Helen of Troy (1956) as Sound
A shipwrecked prince's love for a married queen triggers war between Greece and Troy.
Hell on Frisco Bay (1956) as Sound
A cop framed for a murder he did not commit hunts the San Francisco waterfront for the Mob racketeers who are responsible.
Serenade (1956) as Sound
A rising opera star is torn between his wealthy benefactor and a poor innocent.
I Died a Thousand Times (1955) as Sound
An ex-con dreaming of one last heist faces dissension within his gang.
Sincerely Yours (1955) as Sound
Hearing loss creates professional and romantic crises for a concert pianist.
The McConnell Story (1955) as Sound
A man''''s plans to settle down and raise a family are upset by the Korean War.
A Star Is Born (1954) as Sound
A falling star marries the newcomer he's helping reach the top.
House of Wax (1953) as Sound
A scarred sculptor re-populates his ravaged wax museum with human corpses.
She's Back on Broadway (1953) as Sound
A fading Hollywood star returns to the stage to work with the man who discovered her.
The System (1953) as Sound
The Charge at Feather River (1953) as Sound
A platoon of army misfits tries to rescue two women kidnapped by Indians.
The Story of Will Rogers (1952) as Sound
Oklahoma lad grows up to become America''''s favorite humorist.
Room for One More (1952) as Sound
A family with three children takes in troubled orphans.
Springfield Rifle (1952) as Sound
A Union officer goes undercover to root out Confederate raiders.
Lightning Strikes Twice (1951) as Sound
An actress champions the cause of a man whom she believes has been falsely accused of murdering his wife.
Painting the Clouds with Sunshine (1951) as Sound
Three chorus girls hit Las Vegas in search of rich husbands.
Goodbye, My Fancy (1951) as Sound
When she returns to her alma mater to pick up an honorary degree, a congresswoman re-ignites an old flame.
Raton Pass (1951) as Sound
A beautiful woman tries to seduce her way into ruling the West.
Come Fill the Cup (1951) as Sound
Alcoholic newspaperman Lew Marsh hits bottom, loses his job and is rehabilitated by Charley Dolan. After six years on the wagon he gets his job back and devotes himself to other recovering alcoholics. His boss enlists his help to sober up his nephew, Boyd Copeland, who has married Lew's old sweetheart. Boyd, who is involved with a cabaret singer and the mob, presents quite a challenge.
The Tanks Are Coming (1951) as Sound
A hard-nosed sergeant takes his men behind enemy lines in World War II.
Three Secrets (1950) as Sound
A five-year-old boy is the sole survivor of a devastating plane crash in the mountains of California. When the newspapers reveal the boy was adopted and that the crash occurred on his birthday, three women begin to ponder if it's the son each gave up for adoption. As the three await news of his rescue at a mountain cabin, they recall incidents from five years earlier and why they were forced to give up their son.
South of St. Louis (1949) as Sound
Task Force (1949) as Sound
A naval officer devotes his life to the development of the aircraft carrier.
A Kiss in the Dark (1949) as Sound
A concert pianist inherits an apartment house full of loony tenants.
Beyond the Forest (1949) as Sound
The wife of a Wisconsin doctor kills a witness to her affair with an influential man from Chicago.
The Woman in White (1948) as Sound
Classic mystery about the adventures of a young tutor sent to a ghostly country estate.
The Big Punch (1948) as Sound
Gangsters frame a boxer for murder when he refuses to throw a fight.
Johnny Belinda (1948) as Sound
A small-town doctor helps a deaf-mute farm girl learn to communicate.
Cry Wolf (1947) as Sound
A woman uncovers deadly secrets when she visits her late husband's family.
Nora Prentiss (1947) as Sound
An ambitious singer ruins a doctor''''s life.
Janie Gets Married (1946) as Sound
A war bride helps her husband adjust to civilian life.
Her Kind of Man (1946) as Sound
A singer can''''t choose between a charismatic gangster and an honest newspaperman.
Shadow of a Woman (1946) as Sound
A woman suspects her husband of plotting to kill his son from a previous marriage.
Escape in the Desert (1945) as Sound
In this remake of The Petrified Forest, Nazi spies infiltrate a hotel in the American Southwest.
Hotel Berlin (1945) as Sound
During World War II''''s final days, people with a variety of problems converge on a Berlin hotel.
Pillow to Post (1945) as Sound
A girl pretends to be a war bride to get a hotel room in Washington.
Make Your Own Bed (1944) as Sound
Detectives masquerade as butler and maid to get the goods on a crook.
The Mysterious Doctor (1943) as Sound
Nazi agents use a headless ghost as a front.
Juke Girl (1942) as Sound
A migrant laborer becomes a champion of farm workers'''' rights.
The Man Who Came to Dinner (1942) as Sound
An acerbic critic wreaks havoc when a hip injury forces him to move in with a midwestern family.
The Gay Sisters (1942) as Sound
A New York aristocrat marries for the money to save the family mansion.
Flight from Destiny (1941) as Sound
An elderly professor with six months to live plots a murder to reunite two young lovers.
The Great Mr. Nobody (1941) as Sound
An accident-prone reporter stumbles into love and a big story.
Four Mothers (1941) as Sound
Four married sisters face financial problems as motherhood approaches.
Million Dollar Baby (1941) as Sound
A young innocent's surprise inheritance causes problems with her poor but proud boyfriend.
Bullets for O'Hara (1941) as Sound
A gangster's wife helps the FBI nail her husband.
Underground (1941) as Sound
Resistance leaders in Germany plot to broadcast Nazi secrets over the radio.
Nine Lives Are Not Enough (1941) as Sound
A reporter tries to solve a series of boardinghouse murders.
An Angel from Texas (1940) as Sound
A pair of slick Broadway producers con a wealthy cowboy into backing their show.
The Fighting 69th (1940) as Sound
A braggart soldier learns the true meaning of heroism when he joins World War I's all-Irish unit.
Knute Rockne--All American (1940) as Sound
Biography of the famed Notre Dame coach and his fight to "win one for the Gipper."
Calling Philo Vance (1940) as Sound
Society sleuth Philo Vance tangles with foreign agents when he investigates the murder of an aircraft manufacturer.
A Child Is Born (1940) as Sound
A pregnant prison inmate shares her problems with the patients in a maternity ward.
Money and the Woman (1940) as Sound
An embezzler''''s wife begs his boss for forgiveness, only to fall in love with him.
Nancy Drew... Trouble Shooter (1939) as Sound
A teen-aged sleuth tries to clear one of her father's friends of a murder charge.
The Kid from Kokomo (1939) as Sound
A fight manager decides his client needs a family for publicity purposes.
The Return of Dr. X (1939) as Sound
A murderer returns from the grave with a thirst for blood.
Women in the Wind (1939) as Sound
Personal conflicts flare between competitors in a women's air race.
The Adventures of Jane Arden (1939) as Sound
A reporter poses as a jewel smuggler to unmask a criminal gang.
Sergeant Murphy (1938) as Sound
A lowly private becomes attached to a trained military horse.
Comet over Broadway (1938) as Sound
A stage star's rampant ambition leads to murder.
Hard to Get (1938) as Sound
An unemployed architect falls in love with an heiress.
Accidents Will Happen (1938) as Sound
An insurance man tangles with a fraud ring.
Secrets of an Actress (1938) as Sound
A leading lady falls for a married architect who's invested in her play.
Swing Your Lady (1938) as Sound
A wrestling promoter stranded in the South pits his star grappler against a lady blacksmith.
My Bill (1938) as Sound
An impoverished widow fights scandal for the sake of her four children.
Back in Circulation (1937) as Recording Engineer
A reporter tries to win her editor''''s heart by solving a murder case.
Torchy Blane, the Adventurous Blonde (1937) as Sound
Reporter Torchy Blane walks out on her own wedding to solve the case of a murdered actor.
The Petrified Forest (1936) as Sound Recording
An escaped convict holds the customers at a remote desert cantina hostage.
The Story of Louis Pasteur (1936) as Sound
True story of the French scientist''''s battle to establish modern medical methods.
Journal of a Crime (1934) as Sound
Before she can confess to shooting her husband''''s mistress, a woman succumbs to amnesia.
Female (1933) as Sound
A female CEO who's used to buying love meets her match in an independent young executive.

Sound (short)

So You Think You're Not Guilty (1950)
In this comedic short, a simple traffic violation turns into a 10-year jail sentence for Joe McDoakes. Vitaphone Release 1876A.

Misc. Crew (short)

So You Think You're Not Guilty (1950)
In this comedic short, a simple traffic violation turns into a 10-year jail sentence for Joe McDoakes. Vitaphone Release 1876A.

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