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Overview for Otis Malcolm
Otis Malcolm

Otis Malcolm



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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Make-Up ...


Make-Up (feature film)

A Gunfight (1971) as Makeup
Two aging gunfighters sell tickets to their final shootout.
The Love Bug (1969) as Makeup
A Volkswagen with a brain becomes a championship racecar.
Smith! (1969) as Makeup
When the Indian Jimmyboy is accused of murder of a white man, he flees onto the ranch of Smith, who's well known for his tolerance for Indians, since he was raised by the old Indian Antoine. Smith helps Jimmyboy against the mean Sheriff and promises to speak for him in court, thus persuading him to surrender himself to the police.
Rascal (1969) as Makeup
A lonely boy adopts a baby raccoon.
The Horse in the Gray Flannel Suit (1968) as Makeup
Frederick Bolton has to solve two problems. First, his boss has instructed him to come up with a reasonable campaign to promote a new product, a stomach pill named "Aspercel" - by tomorrow. The second problem is Fred's daugther, Helen. She is absolutely fond of horses, takes riding classes and has already had decent success in some competitions. Her biggest wish is to own a horse herself, a dream her father cannot afford at all. Now Fred tries to solve both problems at once by simply combining them: A horse named "Aspercel", ridden by his daugther should bring the name of the pill into the papers and make Helen happy, too. But there's still one more obstacle: Helen and Aspercel of course have to win a few prices to make this idea work...
Harper (1966) as Makeup
A broken-down private eye sets out to find a rich woman''''s missing husband.
The Boss (1956) as Makeup
A crusading politician falls prey to the temptations of power.
Around the World in 80 Days (1956) as Makeup, U.S.
A Victorian gentleman bets that he can beat the world's record for circling the globe.
Dial M for Murder (1954) as Makeup
A straying husband frames his wife for the murder of the man he'd hired to kill her.
A Lion Is in the Streets (1953) as Makeup Artist
A peddler from the bayou becomes a major force in local politics.
The Desert Song (1953) as Makeup
A French professor secretly leads a band of desert freedom fighters.
A Streetcar Named Desire (1952) as Makeup
A fading southern belle tries to build a new life with her sister in New Orleans.
I Was a Communist for the F.B.I. (1951) as Makeup
When an FBI agent goes undercover in the Communist Party, his wife and friends question his patriotism.
Holiday Rhythm (1950) as Makeup
Kiss Tomorrow Goodbye (1950) as Makeup Artist
From the trial of the survivors, we flash back to amoral crook Ralph Cotter's violent prison break, assisted by Holiday Carleton, sister of another prisoner...who doesn't make it. Soon Ralph manipulates the grieving Holiday into his arms, and two crooked cops follow her into his pocket. Ralph's total lack of scruple brings him great success in a series of robberies. But his easy conquest of gullible heiress Margaret Dobson proves more dangerous to him than any crime...
Always Leave Them Laughing (1949) as Makeup
A vaudeville clown neglects his family while fighting for stardom.
The Babe Ruth Story (1948) as Makeup
A childlike oaf becomes the greatest star in baseball.
On Our Merry Way (1948) as Makeup Artist
Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests, "Has a little child ever changed your life?" Oliver gets answers from two slow-talking musicians, an actress whose roles usually feature a sarong, and an itinerant cardsharp. In each case the "little child" is hardly innocent: in the first, a local auto mechanic's "baby" turns out to be fully developed as a woman and a musician; in the second, a spoiled child star learns kindness; in the third, the family of a lost brat doesn't want him returned. And Oliver, what becomes of him?
The Time of Your Life (1948) as Makeup
A philosophical drunk encourages his friends to live their dreams to the hilt.
Christmas Eve (1947) as Makeup Artist
To save her fortune, an aging woman must reunite her three adopted sons.
The Macomber Affair (1947) as Makeup Artist
A wealthy playboy and his wife hire a great white hunter to guide them to the African hunting grounds.
The Diary of a Chambermaid (1946) as Makeup Artist
An ambitious chambermaid hopes to seduce a rich husband.
Mr. Ace (1946) as Makeup Artist
Margaret Wyndham Chase (Sylvia Sidney) wants to run for governor and approches Eddie Ace (George Raft), local political kingmaker/fringe gangster, to get his support. Ace's belief is that "beautiful women and politics do not mix" and he declines to help. She decides to play the game rough-and-tough without him, but he shows he is even rougher-and-tougher, and she gives up and withdraws from the race. But Ace has fallen in love with her at about the 45-minute mark and, with his new-found ardor for clean politics, he makes some (unclean) manipulations behind the scenes, and she is picked to run on an independent good-government ticket.
Brewster's Millions (1945) as Makeup
A veteran has to spend $1 million in two months to inherit a fortune.
Pardon My Past (1945) as Makeup
A penniless veteran is mistaken for a millionaire playboy.
A WAVE, a WAC and a Marine (1944) as Makeup
Henny (Henny Youngman), talent scout for the Margaret Ames (Sally Eilers) Film Agency in Hollywood, mistakes Judy (Anne Gillis) and Marian (Elyse Knox), the understudies, for Eileen (Marjorie Woodworth) and Betty (Ramsay Ames), the real stars of a Broadway show and signs them up for movies. Margaret, furious with Henny for the blunder, fires him---but only temporarily. Another agent, Marty Allen (Richard Lane), once married to and still in love with Margaret, signs Betty and Eileen. Henny arrives with Judy and Marian, and the nightclub manager asks Henny to emcee the show. Though he is not sure himself what they can do, Henny introduces the girls and they make a hit in a dramatic sketch. (Simmer down, it's just a Monogram movie, and their nightclub attendees can react anyway director Phil Karlstein/Karlson wants them to.) Big-time movie producer R. J. (Alan Dinehart) signs them to a film contract. So, what does this have to do with the title, "A WAVE, a WAC and a Marine"? Because Judy joins the WAVES, Marian the WACS and Marty the Marines and all have two weeks before induction, and that is more than long enough to shoot a Monogram musical-within-a-Monogram musical and have a few days to spare.

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