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Overview for Troy Sanders
Troy Sanders

Troy Sanders



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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Music ...


Music (feature film)

Monsters University (2013)
Mike Wazowski and James P. Sullivan are an inseparable pair, but that wasn't always the case. When these two mismatched monsters met they couldn't stand each other. This is the story of how Mike and Sulley overcame their differences and became the best of friends.
Li'l Abner (1959) as Mus consultant
The residents of Dogpatch fight to persuade the government not to use their town as a nuclear testing ground.
The Five Pennies (1959) as Mus adv
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to pursue his dream of playing Dixieland jazz. He forms the "Five Pennies" which features his wife, Bobbie, as vocalist. At the peak of his fame, Red and Bobbie's daughter, Dorothy, develops polio. Red quits the music business to move to Los Angeles where the climate is better for Dorothy. As Dorothy becomes a young teen, she learns of her father's musical past, and he is persuaded to open a small nightclub which is failing until some noted names from his past come to help out.
The Matchmaker (1958) as Mus adv
A matchmaker falls for the man she is supposed to help find a wife.
White Christmas (1954) as Mus assoc
Two musical stars team with a sister act to help their old Army commander save his failing country inn.
Stalag 17 (1953) as Mus adv
A cynical serviceman in a World War II POW camp has to prove he''''s not an informer.
The Lemon Drop Kid (1951) as Mus adv
A bookie has the Christmas holidays to raise the money he owes a gangster.
My Favorite Spy (1951) as Mus adv
A comedian poses as an international spy to recover mysterious microfilm.
Mr. Music (1950) as Mus assoc
Dark City (1950) as Mus adv
Danny Haley's bookie operation is shut down, so he and his pals need money; when Danny meets Arthur Winant, a sucker from out of town, he decoys him into a series of poker games where eventually Winant loses $5000 that isn't his...then hangs himself. But it seems Winant had a shadowy, protective elder brother who believes in personal revenge. And each of the card players in turn feels a faceless doom inexorably closing in. Dark streets and sexy torch-singer Fran lend ambience.
Let's Dance (1950) as Mus assoc
Donald Elwood meets after the war his former USO partner, Kitty McNeil, who is now a rich widow with a little child. She tries to evade her paternal grandmother, who wants her to live in a way according to the customs of her dead husband's class.
Riding High (1950) as Mus assoc
An heiress and her sister''''s fiancee defy her family to race horses.
Bride of Vengeance (1949) as Composer
A Connecticut Yankee in King Arthur's Court (1949) as Mus assoc
A blow to the head sends an auto mechanic back to the days of Camelot.
Red, Hot and Blue (1949) as Mus assoc
An actress''''s rising career is threatened when she finds a dead gangster in her apartment.
Top O' the Morning (1949) as Mus assoc
A singing insurance investigator comes to Ireland to recover the stolen Blarney Stone.
The Emperor Waltz (1948) as Mus assoc
Traveling Salesman Virgil Smith wants to sell his Grammophones in pre-WWI Austria. To enhance this, he especially wants to sell one to Emperor Franz Joseph, but at first the Austrian palace guards think he is carrying a bomb. He meets the Countess Johanna von Stolzenberg-Stolzenberg and after the usual misunderstandings, falls in love with her, this is especially assisted by his dog Buttons. But the relation between a Countess and an ordinary U.S. citizen cannot work in Austria, that is the Emperor's opinion. Is he wrong?
Isn't It Romantic (1948) as Mus assoc
Road to Rio (1947) as Mus assoc
Another in the excellent Hope and Crosby 'Road To' series. Scat Sweeney, and Hot Lips Barton, two out of work musicians, stow away on board a Rio bound ship, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotised, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks.
Ladies' Man (1947) as Mus assoc
Henry Haskell (Eddie Bracken), owner of a hard-scrabble farm near Badger, Oklahona, thwarted in love and through with women forever, strikes oil while digging for water and becomes a millionaire. He heads for New York, with $50,000 in his pocket, to fulfill his lifelong ambition of seeing Grant's Tomb and riding the subway. Fortune-huntress Gladys Hayden (Virginia Field) moves into rooms adjoining Henry's at his swank New York hotel. He joins a large crowd on the street and suddenly finds himself being interviewed by Jean Mitchell (Virginia Wells) on a "Streets of New York" broadcast. When Henry says he is the only millionaire from Badger, Oklahoma, Jean impulsively offers to introduce him to any listener who sends in a box-top of her sponsor's face powder. Henry invites Jean to dine at the Automat and a ride home on the subway and, since he borrows nickels from her for food and the subway, she doubts he is really a millionaire. She is unaware he couldn't get change for a $100 bill. On the subway, they encounter Spike Jones and His City Slickers and, learning they are out of work, Henry gives them each $100 bills. Millions of women, clamouring for dates with Henry, send in box-tops. Jean and her uncle dream up a radio program that promises some lucky Cinderella a date with Henry each night. Jean puts on an act that makes Henry, self-vowed woman-hater, think her job is in jeopardy and he goes along. And Gladys makes strides with Henry with her phoney southern accent. When Henry learns that he has been tricked into the radio scheme, he pretends to be bankrupt...
Variety Girl (1947) as Mus assoc
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.
The Perils of Pauline (1947) as Mus assoc
The world''''s worst actress rises to stardom as serial queen Pearl White.
Blue Skies (1946) as Mus assoc
Vaudeville partners spend years vying for the same beautiful woman.
Incendiary Blonde (1945) as Mus assoc
In this true story, Texas Guinan rises from Wild West shows to become New York's "Queen of the Nightclubs" during Prohibition.
The Stork Club (1945) as Mus assoc
A hat-check girl gets rich quick when she saves a millionaire''''s life.
Going My Way (1944) as Mus assoc
A young priest revitalizes a failing parish and brings new life to the elder priest.
Frenchman's Creek (1944) as Composer
A British noblewoman flees the life of the court to run off with a French pirate.
Here Come the Waves (1944) as Mus assoc
Twin sisters Rosemary and Susie Allison are successful nightclub performers. Their act is about to come to a close when serious-minded Rosemary announces she's joining the Waves. Fun-loving Susie decides to enlist also, especially after she learns that crooner Johnny Cabot has just been drafted by the Navy.
Salute for Three (1943) as Mus adv
Press agent Jimmy Gates (Marty May) gets an idea while watching a New York parade, for a returned war hero Sergeant Buzz McAllister (Macdonald Carey), with his chief client, singer Judy Ames (Betty Rhodes); Dona Drake (Dona Drake), leader of an all-girl orchestra; his photographer Foggy (Cliff Edwards), and his secretary Myrt (Minna Gombell). Jimmy, thinking Judy needs publicity in order to get a singing job on a radio program, thinks that a romance between her and the war hero would be just the ticket. Judy isn't too warm on the idea but agrees to go ahead for Jimmy's sake, with whom she thinks she is in love. She agrees to work on Buzz that night at the Manhattan Canteen, a converted night club where show business people entertain and wait on service men. Foggy is assigned to get pictures of Judy and Buzz together but fails through ineptness. Buzz escorts Judy home in a rainstorm and, while helping her out of the taxi, slips and falls into a deep puddle. Judy asks him to come in so she can dry his soaking-wet uniform on the kitchen stove. Foggy gains entrance to the apartment via the dumbwaiter and snaps a picture of Buzz in his underwear. The next morning Buzz tells Jimmy that he intends to marry Judy, which is going further than he had intended. He also decides he can't use the compromising - but innocent - photo for publicity purposes but does announce their - he thinks - publicity-only engagement. That clinches the deal for Judy to get a radio program called "The Girl I Left Behind." Buzz proposes to Judy, who realizes she loves Buzz and not Jimmy, and they, not knowing that Jimmy has announced their "engagement", decide to keep it a secret.
Riding High (1943) as Mus adv
Henry Aldrich Swings It (1943) as Music Director
Complications arise when Henry, in love with the new music teacher, joins the band. He accidentally gets a Stradivarius that belongs to another man.
Priorities on Parade (1942) as Mus adv
Reap the Wild Wind (1942) as Composer
Two sailors vie for the affections of a southern temptress while fighting off pirates.
The Great McGinty (1940) as Mus dept
A hobo rises to town mayor when he hooks up with a crooked political boss.
A Night at Earl Carroll's (1940) as Mus adv
Man About Town (1939) as Mus adv
Producer Bob Temple, who's brought an American show to London, loves his star Diana, but she won't take him seriously as a lover. To show her, he picks up stranger Lady Arlington, whose financier husband neglects her. On a weekend at the Arlington country house, Bob is used by both Lady A. and her friend to make their husbands jealous; this works all too well, and Bob is in danger from both husbands.
Beau Geste (1939) as Mus adv
Three brothers in the French foreign legion fight off murderous Arabs and a sadistic sergeant.
The Star Maker (1939) as Mus asst
The Llano Kid (1939) as Composer
Lora Travers is the only person who can identify hold-up artist The Llano Kid and she persuades him to come in on a scheme with her and her husband. They have been searching for the long-lost son of a rich Mexican widow and they get the Kid to claim it is him. All goes according to plan until greed and jealousy raise their heads.
What a Life (1939) as Mus adv
Paddy O'Day (1936) as Composer
An immigrant learns to survive as an entertainer after arriving to America an orphan.
Every Saturday Night (1936) as Composer
Angelina o el honor de un brigadier (1935) as Números musicales [Mus numbers]
¡Asegure a su mujer! (1935) as Composer
Te quiero con locura (1935) as Composer
Las fronteras del amor (1934) as Composer
La cruz y la espada (1934) as Composer
Un capitán de cosacos (1934) as Composer
El caballero de la noche (1932) as Composer
La ley del harem (1931) as Composer
Seas Beneath (1931) as Composer
In the waning days of WWI, a U.S. "Mystery Ship," sets sail for the coast of Spain towing a submarine. Their mission is to find and sink a U-boat that has been especially effective in attacking Allied shipping. Posing as a harmless schooner, the mystery ship is in fact fitted with a formidable gun capable of sinking a U-boat. Stopping in the Canary Islands to refuel, the crew interacts with locals involved with Germans, and with Germans themselves, including the sister of the U-Boat commander, who is lurking offshore waiting for the coming battle.
Cuando el amor ríe (1930) as Composer
El precio de un beso (1930) as Composer
A band of settlers on the Oregon Trail is attacked by outlaws, who steal their horses. The horses are returned and the outlaws chased off by three cowboys who just happen to pass by. Years later, the three cowboys again save the settlers when they are threatened by some rebellious farmworkers.

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