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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Cast (feature film)
An American artist finds love in Paris but almost loses it to conflicting loyalties.
A farmer gets sucked into show business when a theatrical troupe invades her farm.
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.
Henry Haskell (Eddie Bracken), owner of a hard-scrabble farm near Badger, Oklahona, thwarted in love and through with women forever, strikes oil while digging for water and becomes a millionaire. He heads for New York, with $50,000 in his pocket, to fulfill his lifelong ambition of seeing Grant's Tomb and riding the subway. Fortune-huntress Gladys Hayden (Virginia Field) moves into rooms adjoining Henry's at his swank New York hotel. He joins a large crowd on the street and suddenly finds himself being interviewed by Jean Mitchell (Virginia Wells) on a "Streets of New York" broadcast. When Henry says he is the only millionaire from Badger, Oklahoma, Jean impulsively offers to introduce him to any listener who sends in a box-top of her sponsor's face powder. Henry invites Jean to dine at the Automat and a ride home on the subway and, since he borrows nickels from her for food and the subway, she doubts he is really a millionaire. She is unaware he couldn't get change for a $100 bill. On the subway, they encounter Spike Jones and His City Slickers and, learning they are out of work, Henry gives them each $100 bills. Millions of women, clamouring for dates with Henry, send in box-tops. Jean and her uncle dream up a radio program that promises some lucky Cinderella a date with Henry each night. Jean puts on an act that makes Henry, self-vowed woman-hater, think her job is in jeopardy and he goes along. And Gladys makes strides with Henry with her phoney southern accent. When Henry learns that he has been tricked into the radio scheme, he pretends to be bankrupt...
Another in the excellent Hope and Crosby 'Road To' series. Scat Sweeney, and Hot Lips Barton, two out of work musicians, stow away on board a Rio bound ship, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotised, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks.
Cornelia and Emily, at college in the early 1920s, have triangle trouble with their beaus. Their affairs become entangled with those of a chance-met, kindly bootlegger. Much of the humor derives from pre-Roaring Twenties naivity.
John Martin is part of an American spy team dropped into France during World War II to destroy the French railway system. After successfully blowing up a tunnel he runs back to save Ellen and is told "Never come back for me again." Later he must choose whether or not to obey her wishes.
Vaudeville partners spend years vying for the same beautiful woman.
A shy milkman gets into boxing when he turns out to have a killer punch.
A veteran fights to prove he didn''''t kill his cheating wife.
When Archie, the proprietor of the neighborhood bar discovers that one of his regulars, Michael O'Malley, owner of a record company is going broke, he realizes that many of his regulars will soon be unemployed and therefore, unable to pay their tab at the tavern. Archie immediately begins recruiting
A murdered nightclub star possesses a mild-mannered look-alike to bring his killers to justice.
Made at the time when the National Barn Dance program, on radio station WLS (for World's Largest Store and owned by Sears & Roebuck) in Chicago, was as big on a national scale listening audience as "The Grand Ole Opry" out of Nashville. The film highlights the leading acts then performing on the program; comedian Pat Buttram, announcer Joe Kelly (before his Quiz Kids stint), Lulubelle & Scotty (Scott Wiseman and wife Myrtle), the Dinning Sisters trio, Arkie the Arkansas Wood Chooper (Luther W. Osenbrink) and the Hoosier Hot Shots quartet, whose musical abilities and creativity were vastly underrated. The piffle of a story begins in the early days of radio (Calvin Cooledge was President) but otherwise seems to take place in 1944, which made things easier on the Art and Set directors. Agent John Berke (Charles Quigley) thinks advertising executive Mitcham (Robert Benchley) wants to put together a program of hillbilly performers---a term used until later years when Nashville went uptown and changed it to Country & Western---and hies himself down to a country town where Lulubelle (Myrtle Wiseman) & Scotty (Scott Wiseman) hold a barn dance in their barn every Saturday night featuring themselves and their farm hands, although it is not quite clear just what chores the Dinning Sisters perform. He signs all hands to a contract, brings them to Chicago and learns that Mitcham has no intentions of putting together such a program to be sponsored by the Garvey Soup Company owned by the Garveys (Charles Dingle and Mabel Paige). A bit of plot contrivance---a small bit--- changes all of that, and the National Barn Dance is born.
A Navy doctor fights to help wounded sailors escape the Japanese during World War II.
Twin sisters Rosemary and Susie Allison are successful nightclub performers. Their act is about to come to a close when serious-minded Rosemary announces she's joining the Waves. Fun-loving Susie decides to enlist also, especially after she learns that crooner Johnny Cabot has just been drafted by the Navy.
A British noblewoman flees the life of the court to run off with a French pirate.
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