First feature credit as production designer "A Funny Thing Happened on the Way to the Forum"
First film as costume designer and consultant "Mary Poppins"; earned first Oscar nomination
First screen collaboration with Mike Nichols, "Heartburn"
Last screen collaboration with Lumet, "Deathtrap"
Received first Tony Award nomination for designs for the musical "The Apple Tree"; first stage collaboration with Mike Nichols
Stage directing debut, "Song at Twilight" at Bay Street Theater
TV debut as designer, "The Julie Andrews Show" (BBC)
Won first Tony for scenic design for the Bob Fosse-directed musical "Pippin"
Won Oscar nomination for his costumes for Lumet's "Murder on the Orient Express"
Worked as a designer at Peter Haddon's Company in Wimbledon, England
London stage debut as designer "Valmouth"
Won Oscar for his production design for Fosse's "All That Jazz"
Created the designs for Fosse's last film "Star 80"
Debut as stage producer, the British production of "The Ginger Man"; also designed sets and costumes
Directed the Off-Broadway production of Oscar Wilde's "The Importance of Being Earnest" co-starring Eric Stoltz and Nancy Marchand; also designed the sets and costumes
Earned third Tony for designing the acclaimed revival of "Guys and Dolls"
Received two Oscar nominations for his costumes and sets for Lumet's "The Wiz"
Served as production designer on Nichols' "Regarding Henry"; last screen credit as of 1997
Won second Tony Award for his scenic design for the revival of John Guare's "The House of Blue Leaves"
Debut as opera designer, the Sadler's Wells Opera Company production of "The Love of Three Oranges"
Designed the sets and costumes for the original stage production of "A Funny Thing Happened on the Way to the Forum"
First Broadway production as designer, Noel Coward's "Conversation Piece"
First screen collaboration with Sidney Lumet, "The Seagull"
US TV debut as designer, "Free to Be . . . You and Me" (NBC)