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Overview for Paul Weatherwax
Paul Weatherwax

Paul Weatherwax



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Also Known As: Died:
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Birth Place: Profession: Editing ...


Director (feature film)

Vendetta (1950) as Fill-In Director
The Saxon Charm (1948) as 2nd Unit Director
Star Spangled Rhythm (1943) as Contr dir
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.

Producer (feature film)

Yesterday and Today (1953) as Associate Producer

Editing (feature film)

A Raisin in the Sun (1961) as Film Editor
A black woman uses her late husband's life insurance to build a better world for her children.
The Big Fisherman (1959) as Editing Supervisor
Drama that focuses on the later life of Peter, one of the closest disciples of Jesus.
Man on the Prowl (1957) as Supervising Editor
Around the World in 80 Days (1956) as Editing
A Victorian gentleman bets that he can beat the world's record for circling the globe.
The Spoilers (1956) as Film Editor
The Square Jungle (1956) as Film Editor
Grocery clerk Eddie Quaid, in danger of losing his father to alcoholism and his girl Julie through lack of career prospects, goes into boxing. His cop friend McBride finances him; ex-con Bernie Browne trains him. Three years later, he is a challenger for the championship, and Julie re-enters his life. Can she win him back from a predatory blonde? And why does the prospect of Eddie's winning worry Bernie more than his losing?
Never Say Goodbye (1956) as Film Editor
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, berates Dr. Parker for "killing" her. The bulk of the story flashes back to Austria during World War II as we learn how Dr. Parker met and married his wife, and the one mistake that may have cost him his family.
Revenge of the Creature (1955) as Film Editor
Men capture the creature from the Black Lagoon and make him an aquarium attraction, from which he escapes.
Ain't Misbehavin' (1955) as Film Editor
Lady Godiva of Coventry (1955) as Film Editor
In 11th-century England, King Edward the Confessor wants saxon Lord Leofric to marry a despised Norman woman, and has him jailed when he refuses. In jail, he meets Godiva, the sheriff's daughter, and soon they are wed. The times are turbulent and Godiva proves a militant bride; unhistorically, unrest between the Anglo-Saxon populace and the increasingly influential Norman French lead to her famous ride.
Three Young Texans (1954) as Editing Supervisor
A western about a Texan who robs a train in an effort to prevent his father from committing the crime, a young girl who attempts to help him after learning about the theft, and a cowboy friend who demands a share of the money.
The Rocket Man (1954) as Film Editor
Wacky complications ensue when a little boy comes into possession of a ray gun that compels anyone caught in its beam to tell the truth. He uses it to prevent his orphanage from being shut down by creditors and to help a cute couple fall in love.
Gorilla at Large (1954) as Editing Supervisor
At sinister carnival The Garden of Evil, the main attraction is Goliath, "world's largest gorilla...cost the lives of 1,000 men before his capture." Barker Joey Matthews is about to enter the gorilla act, teamed with seductive mantrap Laverne, the owner's wife. Then a man is found dead of a broken neck. Was it Goliath or someone wearing Joey's gorilla suit? Detective Sgt. Garrison finds four interlocked romantic triangles among the suspects...
Siege at Red River (1954) as Editing Supervisor
A Cavalry captain tries to keep the Indians from getting their hands on Gatling Guns.
It Came from Outer Space (1953) as Film Editor
No one believes an amateur astronomer''''s spaceship sighting until the town''''s people begin disappearing.
Girls in the Night (1953) as Film Editor
Yesterday and Today (1953) as Editing Supervisor
The Veils of Bagdad (1953) as Film Editor
Antar is sent by Suleiman, head of the Ottoman Empire, to Bagdad to prevent Hammam, Pasha of Bagdad, from purchasing the services of local leader Mustapha to unite the hill tribes and overthrow the emperor. The intrigue mounts as Antar falls in love with dancer Selima, who tries to avenge her father's death against Hammam's right-hand-man Kasseim, whose wife Rosanna has fallen in love with Antar!
The Lone Hand (1953) as Film Editor
Desert Passage (1952) as Film Editor
A cowboy doesn''''t realize the man he''''s been hired to drive to Mexico is an outlaw.
Beware, My Lovely (1952) as Film Editor
A widow discovers her handyman is an escaped mental patient.
Willie and Joe Back at the Front (1952) as Film Editor
World War II is over; to get home quickly, GIs Willie and Joe (of cartoon fame) join the "inactive reserve." Just firmly settled back into civilian life, they're recalled for a new bout of basic training at a base in Japan. From then on, the boys are in and out of one scrape after another...topped by innocent involvement with glamorous Nida, a Eurasian Mata Hari, and her sinister friends.
The Raiders (1952) as Film Editor
Road Agent (1952) as Film Editor
Cowboys fight bandits trying to take over the trails.
Behave Yourself! (1951) as Film Editor
A young couple''''s dog gets them mixed up in a string of murders.
The Prowler (1951) as Film Editor
A policeman''''s obsession with a married woman leads to murder.
At War with the Army (1951) as Film Editor
A song-and-dance team have trouble adjusting to Army life.
Vendetta (1950) as Film Editor
Mrs. Mike (1949) as Film Editor
You Gotta Stay Happy (1949) as Film Editor
Indecisive heiress Dee Dee Dillwood is pushed into marrying her sixth fiancée, but unable to face the wedding night, she flees into the adjacent hotel room of commercial pilot Marvin Payne, who just wants to sleep. Somehow, she persuades him to take her to California. Her fellow passengers include a chimpanzee, a corpse (in a coffin), an absconding embezzler, and two smoochy newlyweds. Can love be far behind?
The Naked City (1948) as Film Editor
A step-by-step look at a murder investigation on the streets of New York.
The Saxon Charm (1948) as Film Editor
Fun on a Weekend (1947) as Film Editor
Penniless strangers team up to fleece the rich.
The Stranger (1946) as Editing Supervisor
A small-town schoolteacher suspects her new husband may be an escaped Nazi war criminal.
Along Came Jones (1945) as Editing Supervisor
A mild-mannered cowboy is mistaken for a notorious outlaw.
The Woman in the Window (1944) as Editing Supervisor
A seductive woman gets an innocent professor mixed up in murder.
Our Hearts Were Young and Gay (1944) as Editing
In 1923, two young ladies depart unescorted for a tour of Europe, meeting two eligible men aboard ship. Their great naivity and efforts to seem grown-up lead them into many comic misadventures.
Let's Face It (1943) as Editing
Star Spangled Rhythm (1943) as Editing
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.
The Forest Rangers (1942) as Editing
Ranger Don Stuart fights a forest fire with timber boss friend Tana 'Butch' Mason, and finds evidence of arson. He suspects Twig Dawson but can't prove it. Butch loves Don but he, poor fool, won't notice her as a woman; instead he meets socialite Celia in town and elopes with her. The action plot (Don's pursuit of the fire starter) parallels Tana's comic efforts to scare tenderfoot Celia back to the city.
The Fleet's In (1942) as Editing
Sailors bet on a shy shipmate''''s ability to romance an aloof nightclub singer.
Birth of the Blues (1941) as Editing
Jeff grows up near Basin Street in New Orleans, playing his clarinet with the dock workers. He puts together a band, the Basin Street Hot-Shots, which includes a cornet player, Memphis. They struggle to get their jazz music accepted by the cafe society of the city. Betty Lou joins their band as a singer and gets Louie to show her how to do scat singing. Memphis and Jeff both fall in love with Betty Lou.
Kiss the Boys Goodbye (1941) as Editing
The Reluctant Dragon (1941) as Editing
Robert Benchley learns about the animation process at Walt Disney Studios while trying to pitch an idea for a cartoon.
Road to Singapore (1940) as Editing
A runaway tycoon and his sailor buddy try to con their way through the South Seas.
Remedy for Riches (1940) as Film Editor
Cafe Society (1939) as Editing
The Gracie Allen Murder Case (1939) as Editing
The zany plot follows nitwit Gracie Allen trying to help master sleuth Philo Vance solve a murder. Allen's uncle fixes her up with Bill at a company picnic. When the two go out to a nightclub that night, Gracie inadvertently links Bill to the murder of a thug after finding the dead body and Bill's cigarette case at the scene of the crime. While being questioned at the club, she meets Vance who's investigating the homicide. After Gracie's bungled attempts to solve the case, Vance decides it might be easier to have her working with him. Despite Gracie's "help," the two eventually find the real killer.
Rulers of the Sea (1939) as Editing
The Arkansas Traveler (1938) as Editing
Sing You Sinners (1938) as Editing
A brother act is broken up by one sibling''''s devotion to gambling.
You and Me (1938) as Editing
Exclusive (1937) as Editing
True Confession (1937) as Editing
A compulsive liar, married to a scrupulously honest lawyer, confesses to a murder she didn''''t commit to help further his career.
Waikiki Wedding (1937) as Editing
A laid-back marketing man for a Hawaiian pineapple company enjoys his life in the tropical paradise until a beautiful woman arrives on the island and turns his life upside down.
Champagne Waltz (1937) as Editing
Princess Comes Across (1936) as Editing
A Brooklyn girl masquerades as a princess to land a Hollywood contract.
My American Wife (1936) as Editing
F-Man (1936) as Editing
The Bride Comes Home (1936) as Editing
Without Regret (1935) as Film Editor
It's a Great Life! (1935) as Editing
Judge Priest (1934) as Film Editor
A Southern judge confounds civic leaders with his laid-back approach to his job.
The Lost Patrol (1934) as Film Editor
A British army troop fights off Arab snipers while holed up in an oasis.
Long Lost Father (1934) as Editing
A man who deserted his daughter years earlier tries to help her out of a jam.
The World Moves On (1934) as Film Editor
A Louisiana cotton family fights to survive war and the Depression.
George White's Scandals (1934) as Film Editor
Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy Martin (Rudy Vallee) and Kitty Donnelly (Alice Faye)in and around a dozen or more sketches, revues, black-outs and singing and dancing turns. Made before the birth of the production code, reviewers of the day found much to object about in the implications of Alice Faye's "Nasty Man" song with the Meglin Kiddies, and the dog action in the "Your Dog Loves My Dog" number by Vallee, Faye, Jimmy Durante and Dixie Dunbar. The geometric dance arrangements used in the Vallee, Durante and Cliff Edwards "Every Day Is Father's Day" was not cause for Busby Berkeley to lose any sleep.
The Power and the Glory (1933) as Editing
A man rises to run a railroad company at the cost of his family ties.
The Worst Woman in Paris? (1933) as Film Editor
Broadway Bad (1933) as Editing
Hat Check Girl (1932) as Film Editor
Sally Eilers is a hat-check girl in a nighclub surrounded by bootleggers, blackmailers and others before she falls in love with millionaire playboy Ben Lyon. Eilers is supported by her girlfriend Ginger Rogers.
Born to Fight (1932) as Editing
Mystery Ranch (1932) as Editing
To maintain his vast ranch holdings, Henry Steele holds Jane, the daughter of his deceased business partner, against her will. Stalwart ranger Bob Sanborn rescues Jane in a riding incident and is invited to stay over at the ranch by the malevolent Steele, who catches on immediately to the fact that Sanborn has been asked by Jane to help her escape. Steele escorts Bob off the ranch just after giving the order to his vicious ranch hands, Mudo and Tonto, not to let him leave alive.
While Paris Sleeps (1932) as Film Editor
Men on Call (1931) as Film Editor
Body and Soul (1931) as Film Editor
Andress, Watson and Johnson are with a Royal Air Force squadron in France. When Watson is killed in combat, Andrews tries to return the letters Watson received from a girl called "Pom-Pom." There are two possibilities: one is Watson's widow, the other is a German spy.
Surrender (1931) as Film Editor
The Arizona Kid (1930) as Film Editor
The Cisco Kid (Warner Baxter) carries out his mission as a Robin Hood-type bandit while posing as a wealthy and carefree miner. He falls for an eastern girl, Virginia Hoyt (Carole Lombard), accompanied by presumably her brother, Dick Hoyt (Theodore von Eltz), actually her husband. The Kid's mine is raided and two of his friends are killed and he learns that Dick and Virginia are the culprits...
Men Without Women (1930) as Film Editor
Aboard the U.S. submarine S13 in the China seas, Chief Torpedoman Burke goes about his duties. In actuality, he is Quartermaine, the infamous former commander of the British ship Royal Scot, which was sunk by Germans with a Field Marshal aboard. Quartermaine had told his sweetheart that the Field Marshal would be aboard, not knowing that she was an informant for the enemy. When the S13 sinks, Burke takes charge when the commander, Ensign Price, is unable to command. Burke must keep his mates alive long enough on the bottom of the sea for rescuers to arrive.
Rough Romance (1930) as Film Editor
Billy West, a "topper" in a Canadian lumber camp, witnesses a murder committed by two fur thieves, and finds himself being stalked by the killers.
The Sea Wolf (1930) as Film Editor
Romance of the Rio Grande (1929) as Film Editor
Strange Cargo (1929) as Film Editor
The Girl From Havana (1929) as Film Editor
Not Quite Decent (1929) as Film Editor
Vamping Venus (1928) as Film Editor
Flying Romeos (1928) as Film Editor
Oh, Kay (1928) as Film Editor
Happiness Ahead (1928) as Film Editor

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